An AI-generated opera called autoplay blends choreography, generative soundscapes, and machine learning when it takes over the Flipside at the Baxter theatre from Wednesday March 26 to Saturday March 29, at 7.30pmwith one matinee at 2pm on Saturday.
The new work by choreographer and director Louise Coetzer, interrogates the intersection between identity, autonomy, and the digital landscapes that define modern existence.
AI Darion Adams and Gabrielle Fairhead. PICTURE: Oscar O’Ryan
Image: PICTURE: Oscar O’Ryan
Presented by Darkroom Contemporary, who celebrate their 15th anniversary this year, autoplay is an experiential convergence of dance theatre, live art, and polyrhythmic opera. It explores the intricate relationship between humanity and technology, challenging audiences to reconsider agency and free will in an era where digital algorithms shape daily life.
The production features live, original music by Brydon Bolton (Benguela), vocalist Inge Beckmann (Lark, Beast), and Njabulo Phungula. The score combines organic and manufactured soundscapes, fusing digital and analogue processing.
The cast consists of Louisa Talbot, Darion Adams, Lwazi Mzimase, and Tamsyn Pretorius.
“As AI becomes an integral part of our professional and personal lives, autoplay asks vital questions: Who is truly in control? How do we distinguish between influence and autonomy? The performance doesn’t just present these questions - it invites the audience to participate in finding the answers,” says Coetzer.
autoplay originally premiered in September 2024 at a uniquely transformed site in Cape Town, but this will be the first time it will be performed in a theatre setting.
There is an age restriction of 13 years. Tickets cost from R240 to R270 through Webtickets.